The Book of Sand starts as a story of two worlds – almost two different dimensions. There is the desert with shifting sands and dunes that are capable of burying whole cities; the nights are haunted by monstrous, blood-thirsty beings who are neither dead nor alive and who don’t seem to have a stable physical form. In that world a group of strangers is thrown together by fate or rather by mysterious design. The group – referred to as Family – travels by day in search of Sarkpont (a holy grail that has the power to end their apocalyptic desert trek). By night they cower in their shuck which is detached and suspended in mid-air to protect them against night-time perils. Spider, possibly of French heritage but that is only implied, is the focal character. We see the Family’s endeavours through his eyes.
In parallel to the desert world, there is the contemporary world of a teenage girl called McKenzie, a science geek, fascinated with sand and desert ,who one day wakes up to find a lizard in her bed. Her world, though seemingly safe and ordinary, begins to undergo a strange transformation. Others can’t see what she is seeing and soon her mental health comes into question.
You know that in time the two worlds will collide or merge in some way. The story leads that way. I found McKenzie’s story unremarkable at first, but soon it absorbed me and at some point took over from the fantastical world of the desert. Although you will have six hundred pages to plough through, this book is worth persevering with. Your time will be well invested.
The Book of Sand is a reflective and mesmerising tale set in a dystopian reality which tests man’s resilience. It is about interdependence and commonality of purpose. It is about togetherness and the intrinsic value each of us represents. All in all, it is an exquisite and thought-provoking story. The ending will take you deep inside yourself, into your past and even your beginning.
The End of Men was already on my kindle (courtesy of the publisher and Netgalley) when I heard an interview with the author on Radio 4. In that interview Christina Sweeney-Baird mentioned that she had made references to The Power when submitting her manuscript. I was disappointed. I didn’t want another book about the male-female reversal of fortunes and about power corrupting women in the same way as it would men. I didn’t want another book where the pronoun he/him would be replaced with she/her. I almost didn’t read The End of Men.
I am so glad that I put aside my reservations and dug into it! Apart from the common denominator of men becoming vulnerable and women holding the balance of survival (and ensuing power) in their hands, The End of Men is nothing like Power. It is incomparably better, in my opinion.
There is subtlety and many different layers of emotions here as Sweeny-Baird explores a world where the male population becomes decimated (literally to the tenth of its original number) and women have to take over the reins. No cheap gloating, primitive vengeance or abuse of power ever enters the page. When the virus attacks their men, women go through what any human being of any gender would: initial disbelief transforms into an instinct of preservation and protectiveness, loss brings on immeasurable grief, the disintegration of the world inspires action, resourcefulness, survival and regeneration. Many women (and one man) narrate/are the protagonists in this book and each of them tells her (or his) own unique story of metamorphosis. The story of Amanda (the doctor who first discovered the virus and identified Patient Zero) and Catherine (the anthropologist who after an unsuccessful attempt at escaping and saving her loved ones, begins to research and record the events and their impact on individual lives) are the two leading threads. But there are many more characters, each with their own reactions to the challenge of the pandemic. There are personal, deeply intimate stories, but also wider events on a larger, geo-political scale tacked in this book. The book reads in places like a factual account – a dramatized real -life occurrence.
The End of Men rings true. Although it is a work of fiction, it touches on the subject of pandemic that changes the world and the traditional male-female roles beyond recognition. As we have all just gone through a life- and society-transforming pandemic, it is easy to believe in this tale and the possibilities it contemplates. But it isn’t just about the pandemic. After WWII in which many men died, women had to take charge of their families, communities, and the future of the world. Women took on new “masculine” careers. This sort of a challenge to the established traditional values of our society is not new. Sweeney-Baird treats it with great sensitivity and insight.