The Girl in the Van by Helen Matthews

Traumatic events in Laura’s past forced her to retreat into a solitary existence filled with regret, denial, hurt and yearning for her daughter, Ellie. Six years ago, Laura left behind in Wales her husband Gareth and Ellie, and ran away to London. On a mental and emotional level, she’s been running ever since. But the time comes when she attempts to reclaim her life, buys a campervan and goes on a singles holiday in Pembrokeshire.

She meets new people and tentatively, cautiously begins to form a new relationship with Ben, but he doesn’t take the centre stage. The most significant new arrival on the scene is Miriana, a young woman who breaks into Laura’s campervan, and more importantly, into Laura’s life and conscience. Miriana is a reincarnation of Ellie and her background bears many uncomfortable parallels to Laura’s own past. There are ulterior motives and secrets galore, twists and turns which I couldn’t predict but which, when they came, made perfect sense and lent this family noir thriller an air of chilling authenticity.

Matthew’s writing is inobtrusive but also rich and lyrical. She is an accomplished plotter and handles the time slips and complex character-building techniques with mastery. Nothing is obvious or trite. The atmosphere of dread and foreboding penetrates every new development – the author never lets up.

This is the second book I read by this author and I am in awe of her ability to combine a thrilling piece of fiction with social conscience and her well-oriented moral compass. Don’t get me wrong – there is no moralising in Matthew’s stories. She doesn’t shy away from difficult, uncomfortable topics of domestic violence, County Lines, grooming, modern-day slavery and gruelling mental health issues, but she does it without judgment and with great sensitivity.

A deeply affecting read.

We All Have Our Secrets by Jane Corry

The story took off fantastically well in true Jane Corry fashion: the characters of Emily and Francois were pitted against each other at the very start. This created tension and a great deal of anticipation as to who was telling the truth and who was lying. And why. And what their next move would be. I began to invest myself in their respective tales. Secrets were insinuated with only morsels revealed one at the time as the story progressed. Critical past events provided explanation and additional characters made well-judged entry onto the scene to generate more layers and more complexity. With his war experiences conveyed in the first person and a further character development in the present moment, Harold was a particularly unpredictable and intriguing protagonist. I couldn’t wait to turn the next page, and the next, and the next as I headed towards what I expected to be a series of dark and twisty revelations.
They didn’t come.
Perhaps I set the bar too high because I found the ending most disappointing. A promising thriller turned into a soppy family saga. The final disclosure was overly sentimental and instead of twists I was served with a sugary happy ending. The pawns moved across the board to and fro, and to again without any sense of direction. There was no element of surprise and no nuance which I had come to expect from Jane Corry’s books.
Overall, despite the brilliant start, I can’t really give the book more than three stars.
I am not discouraged from reading Jane Corry. I just think that We All Have Our Secrets isn’t one of her trademark thrillers but an experiment with a different, softer genre which simply isn’t my cup of tea. So, if you enjoy a tale of family secrets and the past messing with the present and manipulating the future, then this book may well be for you.

Fatal Witness by Robert Bryndza

Fatal Witness was my first encounter with Robert Bryndza and his lead character, Erika. Although this book is the eighth in this crime series, I did not feel in any way disadvantaged by not reading the previous instalments. Bryndza afforded me enough glimpses into Erika’s background and some of her tragic past experiences to form a clear picture of who she was, what made her tick and how she left. I really understood and liked her. Her work taking precedence over such trivial matters as buying a bed for her new house and having to sleep on the floor with a stray cat made perfect sense in the context of her deliciously fleshed out personality.
Bryndza hit the bull’s eye with the pace and tension of this story. There were twists galore with the case of mistaken identity of the victim at the start of the book carrying a huge amount of emotional ordeal for the victim’s sister. Each chapter led into the next and I felt riveted to story, unable to find the right place to take a break.
Fatal Witness is sort of a dual crime case: firstly, the victim Vicky was hot on the heels of a serial rapist before she was killed; then Erika stepped in to pursue not only Vicky’s murderer but probably also the rapist who had so far eluded justice.
I don’t think this will be my last book by Robert Bryndza. A riveting read.

Facade by Helen Matthews

Following the death of her husband abroad, Imogen returns to England. She is impoverished and bitter. By contrast, her sister Rachel appears to be a successful business woman, happily married and a mother. She has all that Imogen doesn’t, and more.
While Imogen has to rely on pity and handouts, Rachel is supporting their parents in the upkeep of their beautiful home called the Old Rectory. The title of the book, Facade, aptly represents that old family home but it also has another deeper and more sinister meaning – it’s about all the secrets and sins that are hidden behind the facade.
Twenty years earlier, Rachel’s baby brother drowned. An air of mystery and unspoken secrets lie behind that death. With Imogen’s return and her embarking on a vicious campaign of revenge, the silence will have to be broken and the secrets will drift to the surface.
Facade is a complex, gripping and unputdownable psychological thriller. With every new page and every new revelation you will be drawn deeper into it, and you won’t be able to take a break until the very last page when everything is finally revealed.
Matthews has achieved huge depth in her portrayal of her protagonists, Imogen and Rachel, who narrate this twisty tale. Their perspectives are diametrically different to begin with, but then as you go on, you begin to discover disturbing overlaps and similarities.
This book is really well written and the storyline structured to perfection. Highly recommended.
The author has recently released another thriller, The Girl in the Van. It promises to be as good as Facade. It’s already on my list.

The Paris Apartment by Lucy Foley

Running away from trouble in the UK, Jess arrives in Paris to hole up for a while with her brother Ben, who has half-heartedly invited her (or rather acceded to her inviting herself). But when she gets to his flat in an upmarket apartment block, Ben is nowhere to be found and a patch of bleached floor testifies to something sinister. Jess has nowhere else to go. She stays and tries to understand what happened.
The neighbours aren’t friendly or forthcoming with any information about Ben. It seems like they close ranks or simply don’t know; or perhaps it is their famous French discretion. Each of them harbours their own version of Ben and what their relationships with him were like. None of them were straightforward. Their memories are coloured with emotions, frayed, and there are huge gaps as information is withdrawn from the reader until the very end. None of the characters are likeable or trustworthy and that includes Ben as seen through their eyes. You can’t tell whether he was a victim or a perpetrator. The suspense is maintained right to the final chapters.
There are hard-hitting themes in this tense psychological thriller: alcoholism, sexual exploitation, modern slavery, drugs, societal inequalities, police corruption and the corruptive effect of wealth on morality and family dynamics etc etc etc.
Although the ending was inevitable and therefore expected, the nuance of it and the few final twists make it worth reading to the last page while remembering to breathe.
My only tiny issue was with the slowness of retrospection when each character speaks for themselves – there is a lot of internal monologue, telling rather than showing, and repeated explanations. That adds up to the over 400 pages of this book, which if some of that was left to the reader to work out for themselves would make this book much tighter and faster-paced.

All For You by Louise Jensen

This book is like one of those fireworks displays. You start reading it and you know you are in for something spectacular that will be blow your brains. But there is a bit of a wait – the slow burner of anticipation in the first two-thirds of the book. That’s where Jensen develops her characters and builds the suspense. From page 1 you are told that Connor is going to be taken. In a way he expects it himself. He’s carrying a guilty secret and is overwhelmed by grief over a tragedy that has befallen his girlfriend. His mother Lucy is totally absorbed by his brother’s illness. Kieron has a degenerative liver condition and may soon need a liver transplant if he is to live. His father, Aiden, is entangled in an affair he doesn’t know how to end and fears that if he does end it, the consequences may be dire for him and his family. 
Days are counted to the moment of Connor’s disappearance, and when it finally happens you will be tempted to conclude that maybe, on some level, you could have predicted it. That moment is the first firework going off, but it certainly isn’t the last. More and more revelations and twists blow up in your face, a whole barrage of even bolder, brighter and more explosive illuminations. In the last third of the book Jenson puts on the real fireworks extravaganza. You will be kept on your toes to the very end, and then you will be exhausted.

The Undiscovered Deaths of Grace McGill by C S Robertson

The Undiscovered Deaths of Grace McGill: The must-read, incredible voice-driven mystery thriller by [J. Craig  Robertson]

This is one of those unorthodox books that defeat the star-rating system. I couldn’t say, hand on heart, that I loved it and thus give it five stars. The story was gruesome and the protagonist unlikeable (never mind loveable). Grace has some character traces of Eleonor Oliphant (withdrawn from society at large, odd, damaged, lonely) but she isn’t sweet or vulnerable. She is hard as nails, her job isn’t for the faint-hearted and although she cares deeply, she shows it in most unpredictable ways.
But although The Undiscovered Death of Grace McGill isn’t loveable, it is a brilliant book. I simply cannot give it less than 5 stars. Its brilliance comes from the original concept, nuanced characterisation, moral and societal commentary that doesn’t amount to preaching, and the shocking twists that turn the whole storyline on its head.
If you’re squeamish, you may find some passages difficult to read, especially those describing Grace’s task of cleaning houses after the bodies of their occupants lay there undiscovered for months. Similarly, Grace’s interactions with her alcoholic, abusive father are unpleasant and upsetting – you may well want to step in and smash the man’s head in.
If you can deal with those explicit passages, Grace McGill will take you to some very dark places as she searches for the truth about the disappearance of a young woman fifty years ago. Chilling read!

A Fatal Crossing by Tom Hindle

A Fatal Crossing by [Tom Hindle]

A transatlantic ship with over two-thousand passengers onboard carries the secret of an old gentleman’s death from Southampton to New York. At first, his death is dismissed by the captain as an accident, but James Temple, a persistent Scotland Yard detective, is permitted to investigate – as long as he is accompanied everywhere by the ship’s officer, Mr Birch. A thorough inquiry follows, witnesses are pursued and interviewed, and slowly a picture of art theft and high-society indiscretions begins to be painted.

Tom Hindle’s writing has been compared to Agatha Christie and indeed it has the elements of classic detective narrative and plotting. The partnership between James Temple and Timothy Birch is particularly vibrant and really benefits the story. Both characters are complex, each man harbouring his own secrets. The underlying tragedy of Birch’s missing daughter adds extra emotional depth to Birch’s narrative (the story is told from his point of view).

More deaths and further complications abound but the investigation ploughs on to the final unmasking of the killer. However it isn’t the identity of the killer that provides the ultimate, most unexpected twist to this tale. It is something entirely different. I did not see it coming and I must admit that it was quite a shock. I shouldn’t even intimate at what it is as that would spoil your pleasure of reading this book and getting to that earth-shattering denouement in your own time.

Lethal Game by Charlie Gallagher

Lethal Game: An absolutely gripping crime thriller packed with suspense by [Charlie Gallagher]

Someone is playing a sick game, literally. A computer game has been transferred from screen to real life, with real people racing against each other and against death to save themselves and their loved ones. Detectives Joel Norris and Lucy Rose are tasked with catching the psychopathic killer before yet another casualty is found dead and someone else is too traumatised to talk to them.
Lethal Game is a very solid police procedural./suspense thriller. I found the investigation element of it authentic and convincing, full of inside knowledge about policing and full of credible detail. Only when I got to the author’s bio at the end of the book did I learn that he used to be a police detective. I wasn’t in the least surprised.
The plot comprises parallel developments in the investigation and the first-hand experiences of the victims; it is a skilfully handled., with visceral descriptions.
As reader, I found myself drawn into the lives of the detectives, particularly DS Rose. Her rocky, unstable relationships with her father were brilliantly conveyed – a highlight of the book.
Lethal Game is the second book in a series, but I didn’t feel disadvantaged in any way reading it without having read the first one.
A really good read.

The Cult by Abby Davies

Religious cults have been the subject matter of many works of fiction, the idea of secretive communes pursuing rapture and eternal life fascinating writers and inspiring endless speculations and fears, curiosity, suspicions, even envy and loathing.
In “The Cult” Abby Davies takes an interesting perspective of looking at the interaction between the world at large and the small but fierce world of a spiritual sect seeking immortality through the blood of the pure and innocent who need to be “resourced” from the outside.
Two young children are induced out of their home in the middle of the night and, after having witnessed a violent attack, disappear in the woods. The reader senses that there is more to their disappearance than the two mobster wanting to silence them. As the search for the children gets under way, a story of another child, called Love, is told. We follow Love’s story from the time she is about ten through to adulthood. Love isn’t an ordinary child – she is the product of a cult led by the charismatic, and controlling, Uncle Saviour. Love worships him and her unconditional belief in him shapes her into someone even more deluded and coercive than him.
There are three distinctive narratives within this story: that of Love, Lilly (the children’s mother) and DI Pearline Ottoline (the detective in charge of the investigation). The three narratives come together in the final denouement. I found Love’s tale the most compelling but not the easiest to digest. Unlike in other cult fiction, such as “After the Fire”, there does not seem to be any room for redemption; the years of brainwash leaving Love bereft of sense of reality and empathy. A thought provoking read.