The Book of Sand starts as a story of two worlds – almost two different dimensions. There is the desert with shifting sands and dunes that are capable of burying whole cities; the nights are haunted by monstrous, blood-thirsty beings who are neither dead nor alive and who don’t seem to have a stable physical form. In that world a group of strangers is thrown together by fate or rather by mysterious design. The group – referred to as Family – travels by day in search of Sarkpont (a holy grail that has the power to end their apocalyptic desert trek). By night they cower in their shuck which is detached and suspended in mid-air to protect them against night-time perils. Spider, possibly of French heritage but that is only implied, is the focal character. We see the Family’s endeavours through his eyes.
In parallel to the desert world, there is the contemporary world of a teenage girl called McKenzie, a science geek, fascinated with sand and desert ,who one day wakes up to find a lizard in her bed. Her world, though seemingly safe and ordinary, begins to undergo a strange transformation. Others can’t see what she is seeing and soon her mental health comes into question.
You know that in time the two worlds will collide or merge in some way. The story leads that way. I found McKenzie’s story unremarkable at first, but soon it absorbed me and at some point took over from the fantastical world of the desert. Although you will have six hundred pages to plough through, this book is worth persevering with. Your time will be well invested.
The Book of Sand is a reflective and mesmerising tale set in a dystopian reality which tests man’s resilience. It is about interdependence and commonality of purpose. It is about togetherness and the intrinsic value each of us represents. All in all, it is an exquisite and thought-provoking story. The ending will take you deep inside yourself, into your past and even your beginning.