Cassandra Fortune (Cassie) is a civil servant moving in the high echelons of political elites. She carries about the burden of her previous, badly imploded, career and tries to rebuild it in her new role at the Deputy Prime Minister’s office. It is at this point that she uncovers a body of a young Polish man among the remains in one of London’s old “Plague pits”. Another body, this time of a young Spanish man, is found together with Cassie’s pass to the Palace of Westminster. Links begin to form between the deaths, Cassie, the Whitehall and commercial lobbies.
Cassie embarks on an investigation alongside Detective Inspector Andrew Rowland.
Plague is a tight, fast-moving and absorbing crime drama. The theme of the resurging plague is particularly relevant in today’s reality as is the exploration of political power and influence, corruption and dodgy dealings. Cassie’s romantic interest in Andrew Rowland (which doesn’t quite take off) adds that extra human touch to the story, which is both believable and nuanced. The plot picks up pace as it moves towards the dénouement and becomes quite impossible to put down.